HEADSHOTS

SELECTED WORK

Top Row: Catherine Porter in Not Her by Gretchen Michelfeld, HERE, 2009, NYC; Cherrye J. Davis and Nilan in And Then I Woke: A Vicarious Cataclysmic Event, Downtown Art, 2017, NYC; Frank Blocker and Shannon Maddox, Fall of the House of Usher, Creative Mechanics, 2004, NYC; Willy LeVasseur and Noshir Dalal in Edward II, Bank Street Theatre, 2005, NYC.

Second Row: Nilan and Catalin Stelian, “Extra Room: Pilot”, 2019; Oscar Castillo, KT Peterson, Eugene The Poogene, Nathaniel P. Claridad, and Kamelle Mills, Immortal: The GIlgamesh Variations, The Bushwick Starr, 2011, NYC; Cherrye J. Davis, How To Mourn An American, Little Island, 2023, NYC; Damion Clark, 3 Stories To The Ground, Baltimore Theatre Project, 1997, Baltimore, MD.

Third Row: Nathaniel P. Claridad and Nick Mathews, “The Least Untrue,” 2022; Charles Baskerville and Cherrye J. Davis, A Piece Of Floydada, Peculiar Works Project, 2023; Shannon Maddox, Angels In America: Millennium Approaches, Spotlighters Theatre, 2004, Batlimore, MD; Catalin Stelian, “The Damnable Deprivation of Dmitri,” 2020.

Bottom Row: Donna Fox, Damion Clark, Jason Tinney, and Justin Skinner, Pierced, Funkopolis, 1996, Batlimore, MD; Garlic Jones and Shannon Maddox, 3 Stories To The Ground; Avi Glickstein and R.J. Foster, Edward II; Nolan Muna and Eugene The Poogene, Immortal.

Photo Credits: 3 Stories To The Ground, Jose Villarrubia; Edward II, Peter Dressel; Not Her, Barry Rowell; How To Mourn An American, And Then I Woke, Extra Room, Dmitri, @catalinmedia